Artist: Colin McCallum
Title: 'Atomised Yellow Orange'
Materials: acrylic paint, spray paint on stretched canvas
Dimensions: 60 (h) x 50 (w) x 6 (d) cm
To help alleviate concerns a purchaser may have when buying artwork unseen, we offer a 14-day cooling-off period where artwork has not been viewed in person. Once the artwork has been delivered to the purchaser, the 14-day period begins. During that time, the purchaser has the option to change their mind should the piece not meet their expectations. This does not apply to sculpture or commissioned work and does not apply to overseas purchases, although we are happy to discuss bespoke services.
The artwork will then be returned to the gallery, which can either be by collection or shipped in the same way it was delivered. As long as the artwork is in the same condition that it left the gallery, a full refund is provided to the purchaser, without any penalties being added. Packaging must be kept during this period, so that it can be used for returning the item. Return shipment will be covered by the gallery unless otherwise indicated.
A certificate of authenticity and a valuation certificate is provided with all artwork purchased through NoonPowell Fine Art. The certificate of authenticity may either be an artist’s certificate, where it is signed by the artist, or a gallery certificate where it is signed by the gallery. These are for your records and for the artwork’s provenance.
Colin McCallum 'Atomised Yellow Orange'
Colin McCallum was born in 1956 in Glasgow, Scotland and studied at Camberwell School of Art, London between 1975 and 1979. He lived in Barcelona, Spain from 2002 until 2016 and currently lives and works in East London, UK.
McCallum’s practice extends across painting, printmaking and video-mapped painting installation, through which he evokes the hidden rhythms and patterns of the urban landscape. McCallum makes vibrant, multi-layered abstractions which respond to the visual experience of contemporary urban life and the influence of an ‘always on’ digital culture. His work draws from the vast amount of visual information which informs the sensory experience of urban living, including the pace and speed of the city, its architecture, neon signage, monitor screens, and airport and station displays. Dedicated to exploring the possibilities of abstraction, he has stated that his intention is to “reproduce without representing, evoke without illustrating and express without formulating.”
For further details abouth the artist and other works in the collection, click here for the artist's page.