Artist: García de Marina
Limited edition of 15 photographs
Materials: pigmented ink on 310 gram Infinity Rag Photographique cotton paper signed and numbered by the artist with authenticity certificate
Dimensions: 60 (h) x 90 (w) cm / 23.5 (h) x 35.5 (w) inches
To help alleviate concerns a purchaser may have when buying artwork unseen, we offer a 14-day cooling-off period where artwork has not been viewed in person. Once the artwork has been delivered to the purchaser, the 14-day period begins. During that time, the purchaser has the option to change their mind should the piece not meet their expectations. This does not apply to sculpture or commissioned work and does not apply to overseas purchases, although we are happy to discuss bespoke services.
The artwork will then be returned to the gallery, which can either be by collection or shipped in the same way it was delivered. As long as the artwork is in the same condition that it left the gallery, a full refund is provided to the purchaser, without any penalties being added. Packaging must be kept during this period, so that it can be used for returning the item. Return shipment will be covered by the gallery unless otherwise indicated.
A certificate of authenticity and a valuation certificate is provided with all artwork purchased through NoonPowell Fine Art. The certificate of authenticity may either be an artist’s certificate, where it is signed by the artist, or a gallery certificate where it is signed by the gallery. These are for your records and for the artwork’s provenance.
García de Marina (untitled)
García de Marina is best known as a conceptual photographer and one of Spain’s leading visual poets. Over the past decade, García de Marina has developed an extensive practice, honing a unique visual vocabulary of photographed assemblages in which he combines disparate everyday objects to analyse the construction and limits of language.
Combining surrealist poetics with a minimal aesthetic, García de Marina’s work challenges conventional understandings by re-contextualising familiar objects like mirrors, pencils, padlocks, cutlery and clocks, stripping away their functionality by placing them in unexpected combinations to construct new meaning. By leaving each work untitled, de Marina welcomes free interpretation, provoking dialogue between the work and the viewer in which the idea offered is allowed to form in the mind of the observer.
For further details about the artist and to view other works in the collection, click here for the artist's page.