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CLAIRE MILNER
British, b. 1966

CLAIRE MILNER British, b. 1966

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Open a larger version of the following image in a popup: CLAIRE MILNER, The Disappeared, 2021

CLAIRE MILNER British, b. 1966

The Disappeared, 2021
Acrylic on box canvas
100 x 150 cm
signed and dated
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Visualisation

On a Wall
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In the classical tradition, triangular or pyramidal compositions were used because they created a sense of balance and harmony by arranging the figures into a stable overall geometric structure. Making...
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In the classical tradition, triangular or pyramidal compositions were used because they created a sense of balance and harmony by arranging the figures into a stable overall geometric structure. Making reference to this, a sense of jeopardy is also introduced, by placing many elements on the outside of the structure. The creatures and the forest are semi-abstract and disappearing, as is the female figure, referencing a connection between all ecosystems. The Monarch butterflies rising up from the forest fire are an allegory for the migration of the displaced. The camera phone warns of human inflicted damage, this time showing a tiger skeleton as if holding a mirror up to the tiger walking below.
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Literature

'The Alchemist' from 'Anima Mundi ' is showing at COP26 - Explorers Against Extinction was selected as one of only 15 organisations worldwide, with the artist's works being shown in the Blue Zone.
 

Publications

The Observer, The Flux Review, Musings and Entity.
 
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