Time and History: The poetic text explicitly references "time," "seasons," and the "archaeology of dreams," directly engaging with the passage of time and its cyclical nature. The aged textures of the left panel and the historical effigy on the right evoke a deep sense of the past, impermanence, and the enduring legacy of human experience. The phrase "Before photography in fields of stone the sound of time could be measured" suggests a contemplation of history before modern recording, emphasising the enduring presence of ancient narratives and structures. The "machinery of the seasons" implies a timeless, continuous process that transcends human observation.

Memory and Dreams: The phrase "on the archaeology of dreams..." is central to the artwork's thematic core, indicating an exploration of the subconscious, personal and collective memory, and the elusive nature of dreams as a repository of knowledge and experience. This suggests a delving into hidden layers of consciousness, much like an archaeologist unearths forgotten civilisations. The overall surreal atmosphere, particularly the ethereal lighting on the stone figure, reinforces this engagement with non-linear narratives and inner landscapes, where past and present, reality and imagination, converge.

Spirituality and Mysticism: The stone effigy, reminiscent of sacred figures or ancient deities, combined with the ethereal, almost divine blue lighting and the symbolic eye/sun motif, strongly suggests a spiritual or mystical dimension. This invites contemplation on the sacred, the divine, and the human search for meaning beyond the material realm. The figure's contemplative pose further enhances this spiritual inquiry, evoking a sense of reverence and introspection. The eye/sun symbol on the left panel can be interpreted as an all-seeing eye, a symbol of divine presence, or enlightenment, reinforcing the mystical undertones.

Architectural Elements: The detailed architectural sketches on the left panel are not merely decorative but appear to be integral to the conceptual framework. They may symbolise structures of belief, the foundations of memory, the blueprints of dreams, or the enduring frameworks of human civilisation. The presence of a cathedral-like structure implies a connection to enduring institutions, historical continuity, and spaces of worship or contemplation. These elements ground the abstract concepts in tangible, albeit symbolic, forms.